Entrails of a Beautiful Woman (1986) (Japan)

aka Guts of a Beauty/Guts of a Virgin 2 

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A young psychologist (Hiromi) heads down an unfortunate path when she looks for some closure following the suicide of one of her patients. Ya see, said patient was raped under the orders of a disgusting Yakuza gangster by his equally vile men after she looked into the vanishing of her sister. He forces her to take a drug called Angel Rain which seems to work like a type of cocaine that increases the taker’s sex drive. She manages to escape when two goons fail to watch her and she makes it to the Aquarium Clinic where she lets the doctor know what happened, then running out and taking a header off the roof. The psychologist ends up equally molested and murdered by the awful humans after she gets discovered by them while working on a revenge scheme. They plan to bury her drugged-up body with the dismembered corpse of one of the criminals she had managed to hypnotize into attacking his cohorts but en route the corpses meld together and become some kind of well-endowed hermaphroditic thing that delivers graphic death to the horrible people and looks like a penis-man sculpted out of raw meat… the less said about its living and toothy schlong the better. Just what the doctor ordered. She can transform back to her old self as well because… uhm… reasons. Every hole is violated and most of the cast is populated with irredeemable perverts. The opening assault of the virgin is suitably revolting and thankfully it doesn’t make an attempt to eroticize it, which is surprising given that this is an 80’s flick from Japan. The man that “blessed” the world with Guzoo and Entrails of a Virgin delivers the feel-bad sleaze-fest we all knew he had in him. This one cuts out the fat that Virgin had dragging it down and gets right down to business but has just enough time to piece together a suitable plot unlike Guzoo. It makes for one grimy time that leads from horrific rape to disgusting sex to violent death with very little breathing room. It’s best you don’t get to think too much about anything that plays out before you and the film wisely doesn’t give you a chance. A perverse monster flick that you probably shouldn’t admit you enjoyed.